Or, if you feel lazy, check out the article above where I did all the hard work for you! Solfege For Minor Scale In brief, if you want to switch the notes to solfege or the other way, you need to figure out what the scale degrees are in letter names and then use the tables below to convert back and forth. This is a whole other article (which I’ve written! Click to learn about changing solfege to notes.). It’s a step and a half apart! Solfege To Notes The most significant difference is in the extra-large gap from the 6th to the 7th. In basic terms, this is a natural minor scale with a raised 7th scale degree. This minor scale is the least common of the three and has a unique sound. Harmonic minor is based on modal tendencies. This gives it a complete feeling with the “standard” 6-7-8. On the way up, the 6th and 7th scale degrees are raised a half step. On the way down or descending, the melodic minor scale is precisely the same as the natural minor scale. Without getting into too much detail on the “whys,” let’s look at how it works. This was also born out of the need to alter pitches to better fit in chords and harmonic progressions. In actual music, natural minor doesn’t sound as “natural” as you’d think.īy altering pitches depending on the motion of the melody (thus, melodic minor), composers get a feeling of completion. The intervals are the same as we listed before.ġ – W – 2 – H – 3 – W – 4 – W – 5 – H – 6 – W – 7 – W – 8 Melodic Minor They just start on the pitch and move with the natural order of the relative major. We call these minor scales natural minors. To go back from minor to major, you look at the minor key’s 3rd scale degree. The relative minor of every Major key is always the 6th degree. Now, let’s look at the relative minor of C, which is A. Minor scales start on what would be the 6th scale degree of the related minor. It’s as if the intervals have shifted to the left.ġ – W – 2 – H – 3 – W – 4 – W – 5 – H – 6 – W – 7 – W – 8 Relative Minor **The 8th scale degree is the same as the 1st, just up an octave. Major scales are built from 7 different pitches in the following interval pattern.ġ – W* – 2 – W – 3 – H – 4 – W – 5 – W – 6 – W – 7 – H – 8** Minor scales are considered the opposite of Major scales. Final Thoughts How Do Minor Scales Work?.Traditionally, musicians play this scale by raising the 6th and 7th on the way up, but then reverting to the natural minor scale on the way down.įor the E minor melodic scale, this means there are no extra sharps on the way down, apart from the F# that is already in the key signature. The melodic minor scale pattern is a bit more complicated because the 6th and 7th notes of the scale are raised by one half step (semitone). So in E harmonic minor, the seventh note of the scale would be a D# instead of a D: This means that it goes up by one half-step (semitone), compared to the equivalent note in the natural minor scale. In the harmonic minor, the 7th note of the scale is sharpened. So for E natural minor, all notated Fs become F#s because there is one sharp in the key signature. In the natural minor scale, you just play the notes that are indicated by the key signature. You will need to use different finger patterns to play these scales on the violin. You can think of them as three different 'flavours'!Įach type of minor scale uses a different note pattern, so it has a distinct, recognisable sound. There are three main types of minor scale: natural minor, melodic minor and harmonic minor.
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